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Hypnotizing Chickens:
A Cautionary Tale
Mike Greene
originally published in The
Mystic River Review
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the beginning |
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If I begin when I was a little kid, I will miss what I am looking
for. So I will start in a place where I might find myself.
This place is a suburb's suburb, one of the outer rings of the city
where I was born and lived as a child before moving to a suburb,
and this one that I am writing about today is further out from that
one. This place is a farm, not a working farm with lots of animals,
although there are some chickens and some sheep, about which more
will be said later in this story.
This farm raised children.
How did I come to be there? I was visiting a girl named Gail who
was a friend of mine. Gail and her family lived on this farm and
her father was the kid farmer in charge of this place and all of
the children who lived here.
I'm not trying to be mysterious, but I want to set the tone that
I was feeling then in this place, even then before I knew what to
look for.
This was a social work farm, filled with kids, young children from
ten to twelve, whose parents did not want them. These were the children
of parents who were going through divorces and neither parent wanted
the child.
"You keep him," I imagine them saying. "No you keep
him. I don't want him." These kids had it tough.
These kids lived on the farm, in dormitory rooms. They went to the
local suburb school and they lived on the farm. Their parents did
not visit them.
I was a freshman in college, filled with myself and all the wisdom
I wore like a freshman beanie with a propeller on top. I was in
college and there was nothing I didn't know or think that I would
learn pretty soon. Little did I know.
Gail's father enjoyed talking with me. I was always good with parents.
They liked me because I was polite and respectful, curious about
them and their worlds, interested in what they had to tell me. This
was the formula for having parents like me.
My own parents had taught me to be polite and respectful although
they did not need me to be curious or interested in them. They wanted
me to be interested in god and what would happen to me after I died.
This was an important thing then, to be ready to die, for if my
parents were judgmental, it was nothing compared to their god and
the judgments he would rain down on them if they didn't raise me
right, ready to be judged at any time. Life was an exam and I couldn't
pass if I wasn't ready.
I enjoyed talking with Gail's father. It was always nice to find
an adult who took me seriously, who listened to what I had to say
as though it mattered. This was the kind of parent that I wanted
to be myself, someone who listened to his kids, but this turned
out to be harder than I imagined.
Anyway I enjoyed talking with Gail's father. Here is a little story
which will tell you what that was like.
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the aside |
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One day, when I was visiting with Gail and her family (I thought
of the father as Mr. Gail's father) Gail was nervous and anxious
and her father was teasing her. Gail was upset because she had agreed
to go on a date with a Japanese student who was visiting in her
suburb.
"What will I say to him," she asked. "What do I have
in common with someone from Japan?"
"The one thing you don't want to do," Mr. Gail's father
said, "Is to mention Hiroshima, Japanese people don't like
that."
Gail's date picked her up at the front door. Mr. Gail's father and
I were engaged in busy conversation. He had been in the war, the
big one that my father had been in too, and Mr. Gail's father had
worked as a cryptographer, decoding Japanese mysteries. He liked
solving puzzles, Mr. Gail's father did, and I hated to work on puzzles.
They made my brain ache, my shoulders squeeze, so I avoided them
when I could. But he had lots of puzzles to talk about with me and
I enjoyed listening, and asked a good question now and then to indicate
my interest.
Here's a puzzle for you, so you can see what I mean. There is only
one English word that can be made from the letters in this word,
chesty. What is it? Need a clue? It has something to do with death.
This is one of the few puzzles I ever solved. How did I do it? I
got a dictionary the next day and read the entries for each of the
letters C-H-E-S-T-Y. I almost didn't recognize the answer when I
found it and I was even more puzzled about what it had to do with
death.
Give up? Don't worry, I'll give you the answer at the end of this
narrative. As a reward, to keep you reading. And don't go skipping
to the end. That may get you the answer quickly but you will miss
the painful joys of delayed gratification. Hang on then. Hold your
horses.
The evening flew by. I didn't want to leave until Gail returned
and told us about her date. Her father didn't want me to leave either
because he was having such a good time telling me stories about
his part in the war with Japan.
Around eleven o'clock a car pulled up in front of the house. Gail
and her date had returned. She brought him into the house, introduced
him to us, poor awkward foreigner meeting the barbarians in their
room for living. "This is Joe Hiroshima," she said as
Joe whose last name was certainly not Hiroshima, nervously shook
hands with her father. "This is Joe," she introduced him
to me, blushing with embarrassment.
Polite pleasantries for a few minutes and then Joe left. I can't
remember how he answered my question, "How do you like America
so far?" Maybe I wasn't listening. My mind was curled around
Hiroshima like everyone's in the room.
After a polite little while the door closed behind Joe and Gail
cried out, "Dad! Why did you have to tell me not to mention
Hiroshima. That's all I could think about. Hiroshima, Hiroshima,
Hiroshima. I couldn't stop thinking the word. We went to the movies
and all I could think was Hiroshima. Poor Joe. I wasn't much company."
That's the end of this story within a story. What's the point, you
ask. What does that have to do with what you are trying to tell
me? Wait and see.
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the middle |
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Back to the main road then. As I said before,
this farm raised kids. The only other animals were chickens, sheep,
and a dog. The kids were out back in a dormitory residence. The
sheep were in the pen. The chickens were in the barn when they weren't
in the yard pecking for whatever it is that chickens find in the
grit.
I didn't have much to do with the kids. I saw them at a distance.
They were boys, younger than me, not on my screen most of the time,
that is, until the day I decided to hypnotize the chickens.
This was quite a day. I arrived at the farm in the afternoon, filled
with something I had learned at school, something I wanted to show
Gail and her father, a special kind of decoder that seemed amazing
to me as I tried to learn about the encrypted world around me.
That morning a sophomore approached me and one of my friends in
the cafeteria and proceeded to demonstrate something that amazed
me.
"Answer these questions," he said. "Write down your
answers on a sheet of paper and then I'll explain to you what your
answers mean."
I don't like puzzles but am always enthused about magic tricks.
These are the questions.
You are walking along a path. What kind of path is it? Is it rocky
or smooth, uphill or down, gentle or steep?
I could see a smooth path that undulated in the dappled sunlight.
There are trees around you. Are they tall or medium height or short?
I could see tall pine trees reaching up toward the blue sky.
You come to a clearing in the woods. In the middle of the clearing
there is a stump and it has a container with some kind of liquid
in it. What is the container? What is the liquid? What do you do
with it?
I envisioned a sterling silver flask with fine brandy in it. I quaffed
the liquid in one fiery gulp. I had never had a drink at that time
in my life. The brandy and the flask were my idea of sophistication.
You walk on in the woods and you meet a bear and what do you do
and the bear goes away and you keep walking until you come to a
house on a hill and where is the house on the hill and are its windows
and doors shut or closed or open or what? My answers filled the
page.
Then the sophomore magician decoded my answers. "The path is
your life," he said, "And how you see it." Undulating,
I thought.
"The trees are the kind of people you like to hang out with.
Tall for older, medium for same age, short for younger persons."
Right on the money, I thought. I do like to hang out with adults
to find out what they know.
"The container in the clearing is what you think about your
life, your ambition, where it will lead, and what you do with it
indicates what you will do with your life's opportunities."
Boy was I glad I had chosen to see a silver flask. What a son of
privilege!
He continued his explanations. The bear was fright and even I, mere
freshman, could figure out the house answers. Closed, open. Nice
house, shitty shack. Place on the hill. Mine was in the middle.
I couldn't wait to try this out on someone, amaze them and mystify
them with my Gnostic secrets and mysterious insights.
That's why I drove out to the farm in the middle of this particular
afternoon. There was something else I was wanting to try too. I
was a great reader at the time. Books were the manure to this stable
boy's shovel and I packed them away with a furious resolve. I wanted
to know everything. A little wasn't enough. I didn't want any surprises
in my life. Books were maps. I didn't want to get lost in the forest.
The other thing I wanted to try was hypnotizing chickens. I read
in a science fiction story that you could hypnotize a chicken by
holding its beak to the ground and drawing a line in front of it
extending from its beak. Even a piece of string would do. Supposedly
the chicken would not be able to move. Held prisoner by a string!
Stupid chicken.
So there was lots to do this particular afternoon. But Mr. Gail's
Father was not at home and Gail was too easy an audience. She saw
a glass goblet with spring water in it. Her attention was rapt whenever
she was being discussed or analyzed and we breezed through her psychology
exam as easily as a walk in the woods. My interpretation was fluent,
embellished by little verbal flourishes I had rehearsed in the drive
to the farm. She was amazed. But her amazement wasn't enough for
my needs, not that day. I wanted to show other people.
Here is the secret of human beings, I thought. And I know it. I
can reveal it to you if you'll just pay attention for a few minutes.
Even this wasn't enough for me. I wanted to hypnotize a chicken.
Talk about amazing. I was cooler than The Amazing Kreskin.
"Gather some kids," I instructed Gail. "I'm going
to show them something amazing."
Soon we were in the yard, surrounded by eight or nine kids, boy
kids, pleased with the attention I was showing them, awed by a college
freshman, even more awed by an older kid who could drive and hang
out with girls.
To soften them up for my matinee act, the helpless chicken, I performed
my psychology stunt on them. This would show them that I had powers
of the mind, soothsaying clairvoyant older kid who could drive.
Wait until they saw what I could do with chickens!
What a sad litany of woods walking. Rusted cans, broken bottles,
muddy water, even piss, abandoned containers left behind in the
clearing. Little houses at the bottom of the hill, doors and windows
shaded and covered, locked and bolted. This really worked. I could
see right into the minds of disadvantaged kids. Their parents didn't
want them. They saw rust where I saw silver.
The kids weren't that impressed with this trick though. Insights
into their sad minds weren't what they were looking for. They wanted
a stunt, a magic trick, a miracle. O.K. That's what I would give
them.
Off to the barn, surrounded by kids who saw their possibilities
as rusted cans, broken bottles, trash and garbage, sorrow and sadness.
Off to see a chicken hypnotized.
This trick didn't go as smoothly as I had anticipated. First of
all, the chickens were hard to catch, even if you weren't afraid
of them as I was, flapping, squawking, scratching creatures who
wouldn't hold still, not like kids or other domesticated animals.
I tried to enlist one of the kids to get my chicken for me. After
all a magician with my bona fides needed an assistant. My role in
this adventure was too lofty to scramble in the barn dust for a
flapping prop. I needed help here.
When I realized that no one was going to catch the chicken for me,
not Gail, not one of the kids, I cursed them for cowards and set
out to grasp some poultry by myself. Easier thought than done. Chickens
don't come to you when you cluck. This city boy was learning fast.
Finally, just before I resorted to a two-by-four to stun my prey,
I grabbed one from behind, barely holding on as it clucked its resentment
and struggled for freedom.
I forced its head to the floor of the barn, pulled a piece of blue
chalk from my pocket (magicians come prepared), and drew a line
from its beak to the foot of the nearest awestruck member of my
audience. Then I triumphantly released the chicken and waited for
the applause.
But the chicken was leaving faster than my audience's faith. "I'll
try string. Maybe chickens can't see blue," I told the kids.
"Someone get me a piece of string." This request they
were willing to fulfill.
While they were in quest of string, I was in quest of a chicken.
Another one, I thought. That first chicken wasn't very cooperative.
But they all looked alike to me. I wasn't trained as a farm hand.
Finally I grabbed one from behind. The task was as distasteful as
the first time. I hated chickens.
Head to the floor, beak pressed down, string uncoiled. No luck.
This chicken fled as though Mr. Fox had just come to the coop.
Some of the kids drifted off.
I tried a third time, convinced there was something I wasn't doing
correctly here. Maybe I needed some magic words. Hocus Pocus, Madam'mnocus.
The chicken's ass was right in my face as it jumped/flew to its
nest.
I gave up. The remaining kids, sore in their loss of faith, straggled
off. Maybe college wasn't that impressive after all. They couldn't
see my silver flask. All they could see was the chicken's ass as
it scurried away.
I tried to rescue these kids with entertainment, show them how a
man, a college man could tame adversity, face down a foe, hold a
chicken to the floor and draw a line in the sand over which no enemy
dared step. Cluck, cluck, cluck, one of the kids crowed as he sauntered
off. Only Gail was left and disappointment showed in her face.
What about me? I was disappointed too. Imagine if it had worked!
Imagine the glory that would have been mine. Goddam chickens. Fry
the bastards. I would stay away from farms in the future. My destiny
lay in the city.
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the conclusion |
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My own gloomy visage reminded Gail of her female
nurturing role. "I'm sorry," she said. "You must be
sad that it didn't work. The kids like you anyway."
I was standing there knowing how Gail had felt when she introduced
Joe from Hiroshima.
The word, if you've been waiting, is scythe. What does that have to
do with death? The old man, remember, carries a scythe with him as
he harvests each year.
The sheep? Never left the pen.
And did I find myself here? At least a part, at least a part. |
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about the story:
"Some of the events in this story actually occurred and some
did not. By telling the story (telling not writing) I was trying to
link these events in a narrative which would provide them meaning.
I think consciousness is a narrative and I love to tell stories."
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